29 Dec 2010

Christmas Party @ Armenian Street


more photo please visit: http://ownlypenang.com/?p=1478




21 Dec 2010

今日收到一件無價寶哦~~





thank~~~~ KAII YANNNN

19 Dec 2010

生命力



據說,那是money plant。隔壁的那粒是黃金蛋。
它們都象徵財富。我特地讓它們吸收更多日月精華,那我就能財源廣進。
嗯,我突然想起我英國時也有種些植物,也是ikea貨。


30 Nov 2010

Dream a little dream of me




Thx for ping sharing, hope you tonight sleep well..

習慣


當全世界睡著了,
我習慣一個人醒著。

當全世界忙得團團轉,
我習慣一個人坐著。

當全世界都準備休息了,
我習慣一個人忙著。

ping說:也不是沒辦法。
我說:在習慣著

習慣將習慣變成習慣
是最近的一個習慣。


13 Nov 2010

蘇打綠 無眠



今仔日月亮哪赫呢光(今天月亮怎麼那麼明亮)
照著阮规暝拢袂当困(照著我,整晚都睡不著)
沿途问拢无歇困(沿途问都没休息)

你敢知阮对你的思念(你可知道,我对你的思念)
希望你有仝款的梦(希望你有同样的梦)
咱两人做阵转来彼一工(我们两人,一起回来那一天)
互相依倚的情爱(互相依偎的情爱)

伫你的心肝内(在你的心上)
是毋是佫有我的存在(是不是还有我的存在)
永远拢咧等(永远都在等)
有时阵嘛会毋甘愿(有时候也会不甘愿)

想讲欲做伙飞(想要一起飞)
去一个心中美丽的所在(去一个心中美丽的地方)
所有的一切
拢总佮你囥做伙(全都和你放在一起)
希望你会当了解(希望你可以了解)

今仔日月亮哪赫呢光(今天月亮怎麼那麼明亮)
照著阮规暝拢袂当困(照著我,整晚都睡不著)
亲像鱼死伫花园(就像鱼死在花园)

你敢知阮对你的思念(你可知道,我对你的思念)
希望你有仝款的梦(希望你有同样的梦)
咱两人做阵转来彼一工(我们两人,一起回来那一天)
互相依倚的情爱(互相依偎的情爱)

伫你的心肝内(在你的心上)
是毋是佫有我的存在(是不是还有我的存在)
永远拢咧等(永远都在等)
有时阵嘛会毋甘愿(有时候也会不甘愿)

想讲欲做伙飞(想要一起飞)
去一个心中美丽的所在(去一个心中美丽的地方)
所有的一切
拢总佮你囥做伙(全都和你放在一起)
希望你会当了解(希望你可以了解)

我毋管偌济时间偌济目屎偌济失望来忍耐(我不管用多少时间多少眼泪多少失望来忍耐)
我毋管你当时会转来(我不管你何时会回来)
其实我嘛毋知影为怎样为怎样戆戆等待(其实我也不知道为了什麽为了什麼傻傻等待)

你是我唯一的爱

伫你的心肝内(在你的心上)
是毋是佫有我的存在(是不是还有我的存在)
永远拢咧等(永远都在等)
有时阵嘛会毋甘愿(有时候也会不甘愿)

想讲欲做伙飞(想要一起飞)
去一个心中美丽的所在(去一个心中美丽的地方)
所有的一切
拢总佮你囥做伙(全都和你放在一起)
希望你会当了解(希望你可以了解)
为著你我一定等(为了你我一定等)

蘇打綠 被雨困住的城市

7 Nov 2010

ermm

Ford Cargo




Ford Argentina promoted the Ford Cargo 1722E truck with 6×2 chassis in this magazine and outdoor advertising campaign designed for people with an engineering mind. Each print advertisement provides a schematic diagram outlining a solution to a problem involving an elephant, a vault and an organ, highlighting the benefits of an extra axle. “If you can load it we can move it. New Ford Cargo 1722E with three axles.” The campaign won a Silver Outdoor Lion at Cannes 2010 and has been shortlisted in the London International Awards being announced tomorrow night.


Credits

The Cargo campaign, Elefante, Caja Fuerte and Organo, was developed at JWT Argentina, Buenos Aires, by executive creative directors Pablo Álvarez Travieso and Gonzalo Vecino, creative director Esteban García, creative director/art director Diego Correa, copywriters Roberto Espino and Joaquín Campins, art buyer Fabián Catanese, illustrator Tercera, account director Eduardo Parpugna, account coordinator Romina Rodríguez, account executive Martin Zucchini, with Ford Camiones marketing director Juan Carlos Janocko and marketing analyst Leandro Otturi.


via: http://theinspirationroom.com/daily/2010/ford-cargo-if-you-can-load-it/#more-53509


click the image to view the detail.

27 Oct 2010

Eveready Make Life Easier

Eveready South Africa promoted Alkaline Plus batteries in April 2010 with “Make Life Easier”, a print advertising campaign featuring well known small electric devices: a torch, mp3 player, tv remote and camera.





Credits

The Make Life Easier campaign was developed at Boomtown Strategic Brand Agency, Port Elizabeth, by creative director Andrew Mackenzie, art director/illustrator Tim Jones, copywriter Ruan A.J Coetzee, illustrators Stephen Roth and Gavin Booyens, account team Kenny Holloway and Paul Stewart.

via-http://theinspirationroom.com/daily/2010/eveready-make-life-easier/#more-53111


D5k

25 Oct 2010

詞家有道──香港十六詞人訪談錄


黃志華、朱耀偉、梁偉詩合著的《詞家有道──香港十六詞人訪談錄》繁體字版(香港匯智出版社),現已上市。書中訪問的十六位詞人分別是鄭國江、黎彼得、盧國沾、向雪懷、盧永強、潘源良、林夕、周禮茂、劉卓輝、周耀輝、張美賢、黃偉文、喬靖夫、李峻一、林若寧、周博賢。



後記

2005年,林憶蓮《本色》的第一首歌曲〈Incomplete〉,沒有譜上歌詞只有憶蓮的聲音哼出旋律。在hidden track中,憶蓮坦言闊別多年再做廣東碟時已失去了林振強,那種感覺是一種無法彌補的不完整。〈Incomplete〉就是向林振強致敬的歌曲,也是林振強一次缺席的在場。偶爾,不少愛詞的朋友抱怨,香港流行歌詞研究彷彿是個「遲到的戀人」,還沒有開花結出纍纍的果子,就在那裡錯過了林振強和黃霑。的確如此,兩位詞壇巨匠的缺席無疑是憾事,抱緊眼前人卻可能是惟一令人無悔的投入和敬禮。

《詞家有道──香港16詞人訪談錄》作為香港浸會大學「後九七香港粵語流行歌詞研究計劃」的先導資料整理,是我們與詞人對談的現場文字紀錄。從開始籌備、訂定目標詞人、正式訪談到後期製作,《訪談錄》經歷了整整一年的光景。在過去一年裡,《訪談錄》嘗試一筆一劃勾勒出香港流行詞壇的地形風貌。在不擬設特定研究目標之下,與詞人圍繞其藝術取向、才性氣質展開對談。彼此不但基於難能可貴的知音關係談歌談詞,還分享了對於華語流行詞壇、音樂工業發展的看法,也討論了流行歌詞與文學、社會、文化種種千絲萬縷的關係。一點一滴地,我們逐漸梳理出詞人與詞人之間的承傳牽繫,定格聚焦於某些創作現象,審視了未必很紅很爆但出色精采的作品──香港流行歌詞四十年的洪流,原是婉約通俗酷異刁鑽華麗豪俠純善沉鬱哲理兼而有之。用我一貫的講法,就是唐詩的繽紛世界在李白杜甫之外,尚有王維李商隱李賀;宋詞以婉約派為最大宗,與之鼎足的有格律派和豪放派。時間為我們留下的,在夕爺阿Y前後左右中間,還有一眾默默筆耕的隱世高手。我們真正擁有的,也比我們所知道的還要多很多。

歌詞的力量無遠弗屆,華文世界也有着很多熱愛粵語流行歌詞的朋友。我或許多了一點運氣,可以系統地認識並參與香港流行歌詞的研究。2009年到2010年的《訪談錄》工作,更給我一次過自我清理和親聆詞人教益的機會。對於很多人來說,流行歌詞往往是解悶、娛樂、宣洩、自喻、療傷的渠道,聽眾所買的甚至就是代你傷心的唱片。在我的世界裡,在唱片工業制肘中「戴着腳鐐跳舞」的香港詞人,卻示範了「咩都夠膽死」的種種絢麗舞姿和生存手勢,甚至從不間斷向我們置身的沉悶社會提問--停電一日為什麼不可以是饒有趣味的時刻?今天只做一件事的話,那種小幸福可以有多好?寂寞的人為什麼不正正是有福的?在茫茫人海中淡淡交匯過各不留下印,可能是另一個美麗結局?又或許一切都好,只缺煩惱?!

《訪談錄》終於面世了。這裡,再次感謝十六位受訪詞人在《訪談錄》的推心置腹,還要感謝朱耀偉老師、黃志華先生和羅國洪先生對我的信任。特別要感謝全天候與我並肩作戰的攝影師黃仲文先生和幫忙處理文書的好朋友阿昌。最後,希望愛詞的朋友喜歡《訪談錄》,並衷心祝願詞人和我們還有更多可以送給你。至少還有你,我們所做的才有意義。

梁偉詩
2010.3.31

http://leungjass.blogspot.com/2010/07/blog-post.html

1 Oct 2010

Calgary International Film Festival: Alex






Advertising Agency: WAX, Calgary AB, Canada
Executive Creative Director: Joe Hospodarec
Creative Director: Scott Luit
Art Directors: Brian Allen, Brad Connell
Copywriters: Tim Anderson, Stephanie Bialik, Andrew Payne
Photographer: Roth & Ramberg
Retouching: Robyn Jamieson, Amy Senecal
Published: September 2010


nice impression ..hehe...

29 Sep 2010

Ambi Pur: Flower Power






“Flower Power your room. Ambi Pur.”

Ambient for Ambi Pur brand air freshener.

Advertising Agency: Jung von Matt Matt/Stuttgart, Germany
Creative Director: Armin Jochum, Fabian Frese
Art Director: Nicole Grözinger
Copywriter: Oliver Flohrs
Photographer: Attila Hartwig

22 Sep 2010

LIFE





GO FOR IT~!!!!

望月怀远


海上生明月,天涯共此时。
情人怨遥夜,竟夕起相思!
灭烛怜光满,披衣觉露滋。
不堪盈手赠,还寝梦佳期。



中秋節咯


21 Sep 2010

Saatchi 40th Anniversary



SAATCHISTORY: Celebration of the first 40 years of Saatchi

Maurice Saatchi: Co-founder of M&C Saatchi,(and Saatchi & Saatchi)
Moray McLennan: M&C Saatchi Global CEO

Moray McLennan: So this Thursday, we’re celebrating and thanking people for the start, the birth of the most powerful employed show and as I must say, the most glamorous communication business in the world, Saatchi & Saatchi.

Lord Maurice Saatchi: This is gonna be a great thank you for all the people in Saatchi & Saatchi and M&C Saatchi for a really truly amazing story.

In the very beginning, our situation was exactly like yours is now.

In that, Charles and I thought that it was possible to have an advertising agency, which could achieve something previously considered impossible.

You can have size without the doll bureaucracy that you should get when you have size.

This was the guiding thought though out the whole years, and it was really well captured because, put it in phrase: It’s good to be big, it’s better to be good, but it’s best to be better.

Moray McLennan: My Saatchistory started while ago back in the glorious days.

In the 80s, it was an extraordinary time for Saatchi & Saatchi, so the most famous advertising, the greatest advertising ever in the world of communication, we produced for British Airways, for the Conservative Party, for Silk Cut, it was an extraordinary time, when Saatchi & Saatchi appeared to be the most powerful and influential communication brand in the world.

Lord Maurice Saatchi: Couldn’t we make up the story, could you? But 40 years ago, there were 11 people in the room. It was Year 1. Year 5, the biggest agency in Britain. Year 10, the biggest agency in Europe. Year 20, the biggest agency in the world.

Moray McLennan: Then of course the great pattern in the mid 90’s when we started M&C Saatchi, which is a lot of tremendous adventures, and we started again like Saatchi & Saatchi, with 11 people, on board of this small shop in London.

Lord Maurice Saatchi: Many partners band around Moray, all left, (it is) absolutely unbelievable how it paid jobs and secure positions for life and great respect in prospects, to be with one of 11 people starting M&C Saatchi.

Moray McLennan: And 15 years later, we have 26 offices in 18 countries, it’s been an extraordinary journey and a fantastic time.

So I see this is the beginning of Chapter Two for M&C Saatchi, we had an extraordinary 15 years, phenomenal growth, we have everything in place, and now Chapter Two is about growing on international clients base, so what we’re really looking for is another 15 years of phenomenal growth, rocket profitability, greater products, a great client base, and it’s gonna be as much fun as it was for the first 15 years, I hope.

Lord Maurice Saatchi: The great point to remember is “Nothing is impossible”, that’s how this company started and it proved to be true and we’ll do it again. Moray, I’m sure you’ll agree.

This is crazy, impossible, cannot happen. I ensure you that. Enjoy your evening.

10 Sep 2010

西藏日記 > 北京游 by Neo




Good Work

RubberBand





專輯名稱:Connected
歌手姓名:RubberBand
制作發行:金牌大風
發行日期:2010年9月3日
專輯語言:粵/國語

專輯介紹:

RubberBand 在2010年的新碟《Connected》充滿了新意,五子身穿色彩繽紛的服裝,並化身「連儂獸」的攝制隊,「儂」字是上海話,意指您,「連儂」即是聯系您。新碟在英國做後期制作,封面的造型是以保衛為概念,其中一曲「海.地」描述地球上發生了很多災難,讓樂迷關註災民。另一曲「細街杯」則是挾2010南非世界杯舉行的前夕而推出,此曲特別以來港的非洲人而創作。

《Connected》收錄12首精彩的歌曲,收錄的歌曲有「天連地」、「金獅同學會」、「細街杯」、「3字頭」和「阿藍的故事」等,每首歌曲圍繞著人們的一些生活點滴,予人有親切感。隨碟收錄了三首主打歌MV,以及連儂獸的偽紀錄片《La grande aventure de Rubberband: la recherche du Lennoon》,攝制隊為影迷追蹤遠古的生物,並分析神獸背後的種種謎團,劇情精彩萬分。

專輯曲目:

01. 天連地
02. 金獅同學會
03. 細街杯
04. 3字頭
05. 阿藍的故事
06. 一轉身卻天亮了
07. 田鼠論壇
08. SimpleLoveSong
09. hello ?
10. 囍宴樂隊
11. 海.地
12. 雙城記 (國語)


Not bad not bad

Google instant


Google Instant with Bob Dylan


Google Instant with ABC





O good

WWF


LinkWithin

Related Posts with Thumbnails